![]() Sweding also refers in part to phenomenon created by a video Gondry himself placed on YouTube a year or so ago. It’s the word Jerry ( Jack Black) uses to describe the films he, Mike ( Mos Def) and Alma ( Melonie Diaz) have recreated to restore the library of demagnetized tapes left on the shelves of Mr. “Swede” is the verb Gondry invented for a rather specific process of reproduction. Well, let’s hope it’s not the whole article. You said you liked Chaplin and Melies and you like the idea of - oh dear, please correct me. ![]() Gondry, the man famous for his childlike whimsy, his ingenuity and wonderment, watches me laugh in stony silence. Melonie Diaz, Jack Black, and Mos Def work the video counter in Be Kind Rewind Michel Gondry: This is the problem with digital. I have a small heart attack and scramble for the record button. ![]() It’s fully missed the first two of my sacred nine point five minutes with him. Referring to Gondry’s handmade aesthetics I say, “Both process and community are important to your films - handmade imagery figures strongly in your personal projects.” I ask something about Legos and Gondry’s eyes shift to my iPod. Gondry begins to explain an appreciation for Chaplin and Melies and says he loves the process of silent film, the communal involvement that made those films possible. You recreate the scratched or silent picture frequently in your work.” “Tell me about your relationship to primitive cinema,” I ask. Surprised and too rushed to fuss with details, I start my iPod recording device and head in with the questions. While thinking through a question about perspective, Gondry walks in unceremoniously and sits down, no introduction, door wide open. I’m waiting for him in the conference room, brie melting in a platter next to the picture window. Reminiscent also of many of the fanciful recreations of director Michel Gondry, particularly as seen in his recent feature Be Kind Rewind. The contradiction of proportions is engaging and awkward, reminiscent of the sort of proportions present in a Playskool play set or a child’s drawing. I can make out a man’s striped scarf, a woman’s red shoes, a child’s ballerina lunchbox. At the same time, the bodies on the pavement can be seen in some detail. Regis hotel, the San Francisco streets appear broadly drawn and toylike.
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